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Lone Wolf Anthology
A collection of short stories about the Lone Wolf, the hero who
commits good deeds in spite of his or her better judgment.
Honestly, I think the lone wolf can be a problematic
character. Michael Fletcher, in his introduction, asks us “who doesn’t love the lone
wolf?” I can think of a number of lone wolves I have loved, but equally I can
think of a number of lone wolves I haven’t cared for. In order to write a
successful lone wolf, the author needs to be able to give us not just a
compelling plot, but also a compelling character. No matter how dark, doomed,
or haunted, in order for a reader to connect with the lone wolf, there has to
be something in him or her we recognize. There has to be a motivation we can
empathize with.
For the most part, the authors in the Lone Wolf Anthology been successful. They have managed to avoid the
“dark because he’s dark” excuse and have given us well-rounded characters I was
interested in.
There were a few gaffes. Mostly, they were errors
I see over and over again. The bad guy’s motivation is often absent, which can
really flatten a narrative arc, and I am indescribably weary of the casual misogyny
of writers (mostly male) who described any woman over the age of 35 as “old”. I
am equally frustrated by short stories which are nothing more than an
introduction to a longer piece, and leave the reader dangling at the end. I
like my short stories to stand alone.
However, there are some lovely surprises in this collection.
Joseph R Lallo’s “The Dwarfendam Run” is a delightful twist on reality shows. The
main character is a musician and dancer whose weapon is not the sword but
rather her quick feet, a decorative metronome and her compassion for a lovelorn
fool. I thought the characterization excellent and the motivation believable.
“In Telling the Legend” by James Downe was particularly good.
Well-written and the writer played with our expectations by looking beyond the
usual tropes of the lone wolf. I also enjoyed Timandra Whitecastle’s “The Black”.
I especially liked the setting, which was very reminiscent of old-fashioned
fairytales. The wolf may have been a little too literal for my tastes, but the
writing was so good I forgave it.
Kudos to Amir Sand for a beautiful cover, and to Derek Alan
Siddoway for an excellent editing job.
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